ilit Azoulay

Ilit Azoulay is an international artist of Moroccan origin (b. 1972 in Tel Aviv–Jaffa, Israel; lives and works in Berlin) who is best known for her pioneering photographic technique of reassembling images from information gathered
from rigorous research. Incorporating photomontage, sound, and architectural elements, she scrutinizes the
ways in which visual information is processed culturally, revealing unseen visual information and creating alternative
points of view within familiar fields of knowledge.

Azoulay’s works are in numerous museums and private collections worldwide, including the Museum of Modern
Art New York, Guggenheim Museum, New York, LACMA, Los Angeles, Hammer Museum, Los Angeles, the Art
Institute of Chicago, Centre Georges-Pompidou, Paris, National Gallery of Australia, Canberra, Julia Stoschek
Collection, Berlin, The Israel Museum, Jerusalem, and the Tel Aviv Museum of Art, Tel Aviv.

Her work has been exhibited extensively around the world, including her solo exhibitions Mere Things at the Jewish Museum New York (2024), STOPOVER at Villa Stuck, Munich (2024), Queendom. Navigating Future Codes at the Museum der Moderne Salzburg, Austria (2024), her project Room #8 at CaixaForum Madrid, (2023), her solo exhibition Queendom, at the Israeli Pavilion of the 59th Biennale Arte in Venice (2022),
as well as exhibitions at CCA — Center for Contemporary Art, Tel Aviv (2019), The Israel Museum, Jerusalem (2017), and
KW Institute for Contemporary Art, Berlin (2014). She has also participated in group exhibitions at major international
venues, such as Kunsthaus Zurich, Zurich (2022), Atkins Museum of Art, Kansas City (2018), Pinakothek
der Moderne, Munich (2016), The Museum of Modern Art, New York (2015), Musée d’Art moderne de la Ville
de Paris, Paris (2015), and the Australian Centre for Contemporary Art, Melbourne (2015).