LOT 84
| Technique | Photography |
| Size | 130 x 152 cm |
| Availability | Available |
| Donation | 70% |
I build the image through a sequence of decisions—adding, removing, covering, and exposing—until it takes shape and holds.
In this work, the surface reaches a point where its elements form a necessary relationship. The image emerges through the process, guided by attention and resolution, until it attains a clear, precise presence.
About Gilad Ophir
Gilad Ophir (b. 1957) lives and works in Tel Aviv. Since the late 1980s, he has
exhibited widely in museums and galleries, and his works are held in major
collections, including the Tate Modern, London, the Israel Museum, and the Tel Aviv
Museum of Art.
Trained in New York at the School of Visual Arts (BFA) and Hunter College (MFA),
Ophir began his studies at the Bezalel Academy of Arts and Design, Jerusalem, and
has served as a senior lecturer at the Bezalel Academy and at Shenkar,
Multidisciplinary School of Art.
Ophir first gained recognition for his conceptual photography, examining urban
landscapes and the traces left by human activity. In his long-term project
Necropolis, he focused on military landscapes and the enduring presence of
militarized structures embedded in the terrain.
In recent years, his practice has shifted toward a studio-based process combining
photography with material experimentation. Through layering, staining, erasure,
and reconstruction, he forms images that carry the marks of time, intervention, and
transformation.
The works presented here belong to this latter body, in which images emerge
through a sequence of decisions until the surface reaches clarity and presence.
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